a film production company
WHO WE ARE

casse kihúut
artist, director, editor, producer, & dp
camaray davalos
creative, director, writer, & tradish bish
HOW WE GOT HERE
camaray davalos

Camaray Davalos (Payómkawichum/Xicana) graduated from
Humboldt State University, majoring in Native American Studies and minoring in Environmental Management. Using prose and poetry, she has engaged readers by covering Indigenous social and environmental issues, as well as the complexities of gender roles and identity. In 2020 she won the Native Voices at the Autry Short Play Festival Audience Prize. She was honored to receive the Achievement in Screenwriting Award at the 12th Annual Native American Media Awards at LA SKINS FEST for her short Woman Who Blooms at Night. Camaray is a lead editor for Yáamay: An Anthology of Feminine Perspectives Across Indigenous California.
casse kihúut

Casse Kihúut (Payómkawichum/Mexicana) is a queer indigenous/mexicana filmmaker and artist.
She began her studies at California College of the Arts with a focus on painting and drawing, but quickly realized the power of the camera. Since the age of 12, she has always had a camera in her hand and began editing films. At film school, Kihuut’s first series of films focused on the complexities of familial relationships and dissected the feelings of depression, lust, and control. Within her final years of film school, she focused on Indigenous stories as she also became closer to her tribe and her community.
Her thesis film “Woman Who Blooms At Night”, a 25-minute short was a true labor of love manifested through the global pandemic. This is where Kihuut found her voice as a director, led a team of strong femme department leads, and did not shy away from confronting the issue of domestic violence within tribal communities. Her work delves into the complexities of identity as she is a reconnecting Native raised far from her lands; She has committed her tribe to always continue learning. Kihuut aims to decolonize the process of filmmaking by generating new protocols and pathways to approach production in a less exploitative method of creation to a more gentle and Indigenous approach to storytelling.